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== Varieáis de conjuntus de gamelan ==
 
{{seealso|List of gamelan varieties}}
[[File:Gamelandegung.jpg|thumb|[[Sundanese people|Sundanese]] [[Gamelan Degung]].]]
[[File:Gamelan Jegog.jpg|thumb|right|The all-bamboo [[Gamelan jegog]] from Bali]]
[[File:Gamelan01.jpg|thumb|right|Javanese gamelan played also in Kuala Lumpur, Malaysia]]
 
Las divelsas jolmas de conjuntus de gamelan han de distinguilsi polos istrumentus qu'encrúin y pol usíu la vo, afinacionis, repertoriu, estilu y contestu curtural. En general, nu hay dos conjuntus de gamelan igualis, y de los que sulgierun en cortis prestigiosas a menú se considera que tiinin el su propiu estilu. Ciertus estilus son compartíus pol conjuntus de gamelan de zonas cercanas, criandu un estilu regional.
 
The varieties are generally grouped geographically, with the principal division between the styles favored by the [[Balinese people|Balinese]], [[Javanese people|Javanese]], and [[Sundanese people|Sundanese]] peoples. Sundanese gamelan is often associated with [[Gamelan Degung]], a Sundanese musical ensemble that utilises a subset of modified gamelan instruments with a particular mode of pelog scale. Balinese gamelan is often associated with the virtuosity and rapid changes of tempo and dynamics of [[Gamelan gong kebyar]], its best-known style. Other popular Balinese styles include [[Gamelan ]] and [[kecak]], also known as the "monkey chant." Javanese gamelan was largely dominated by the courts of the 19th century central Javanese rulers, each with its own style, but overall is known for a slower, more meditative style than that of Bali.
 
Las variantis s'agrupan geograficaenti, juendu la principal división la que se da entre los estilus de los balinesis, los javanesis y los sundanesis. Los gamelan sundanesis s'associan a menú con el gamelan degung, un conjuntu sundanés qu'utiliða un subconjuntu d'istrumentus modificáus con un mou particulal de la escala [[pelog]]. Los gamelan balinesis se suelin associal a un virtuosismu y cambius velocis de tempu y dinámica del gamelan gong kebyar, el su estilu más conocíu. Algotrus estilus popularis balinesis encrúin el gamelan y el kecak, tamién conocíu cumu el "cantu el monu".
 
Outside of the main core on Java and Bali, gamelans have spread through migration and cultural interest, new styles sometimes resulting as well. Malay gamelans are designed in ways that are similar to the Javanese gamelan except they lack most of the elaborating instruments and are tuned in a near-equidistant slendro, often using a western Bb or C as a tuning basis. Javanese emigrants to Suriname play gamelan in a style close to that found in Central Javanese villages. Gamelan is also related to the Filipino [[kulintang]] ensemble. There is also a wide variety of gamelan in the West, including both traditional and experimental ensembles.
 
Juera el nucliu principal de [[Hava|Java]] y Bali, los gamelan s'estendierun hestóricaenti a través del entrecambiu y intrés curtural u pol migracionis, surgiendu estilus nuevus. Los gamelan malayus (principalmenti de las regionis de [[Terengganu]] y [[Pahang]]) se diseñan de jolma similal a los javanesis menus en que carecin d'angunus istrumentus elaboráus y qu'están afináus en una escala [[slendro]] cuasi equidistanti en intervalus, a menú jiðiendu usíu d'un do u un si bemol occiental cumu la basi. Los imigrantis javanesis de [[Surinam]] tocan gamelan en un estilu autáu al de las aldeas del centru Java. El gamelan está relacionáu con los conjuntus [[kulintang]] de Filipinas. Tamién se usan agora los gamelan en occidenti, encruyendu lo mesmu conjuntus tradicionalis cumu esprimentalis.
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